Your Art Is Good Enough. Your Submission Isn't - Here's How To Fix It
A short video training from a curator and art magazine editor with 40+ exhibitions of experience, so you finally know exactly what selectors want to see
A short video training from a curator and art magazine editor with 40+ exhibitions of experience, so you finally know exactly what selectors want to see

I’m Gita. I’m not another artist - I’m a curator and art magazine editor who’s reviewed thousands of submissions over 40+ exhibitions. I kept seeing talented artists undersell themselves with avoidable, costly mistakes. Not because their work failed, but because they never got a look inside the selector’s world. So I built the briefing I wish every artist received before submitting. This isn’t theory or recycled advice. This is what works, straight from years reviewing what gets picked… and what gets instantly ignored.
Learn exactly which images to include and what size, format, and quality makes selection panels take you seriously — not filter you out.
No more copy-paste bios. Discover how to craft artist statements that speak to exactly what each opportunity is looking for.
Stop missing the small things that decide who gets noticed. Find out what jurors actually spot first, and put your best foot forward.
End the second-guessing. Show your work with clarity and confidence, so selectors immediately see your best qualities.
Apply it to ANY medium - these principles work for painting, photography, sculpture, video, and more.
It helps even if you’ve faced rejection after rejection you’ll finally see what held you back (it’s not your art).
This is not an endless, rambling course - just focused, targeted knowledge you can use today.
Advice is always up-to-date. Gita still curates and reviews submissions right now -not decades ago.
I've already identified where I'm making my own mistakes. Tom
"This training was super helpful. I submitted for a recent call on the show topic Movement and just received word that all 3 were accepted" Ann
The two modules on writing an artist statement are the clearest and most comprehensive tips I have ever heard on writing a statement Ceili
Recent Training Participants
The Standout Art Submissions Video Training - Short, focused modules you can finish in one sitting (Value: £47)
What Selectors Actually Look For -Insider knowledge from a real curator, so you stop guessing (Value: £30)
The Common Mistakes - Spot and fix the errors that get good work rejected (Value: £25)
Artist Statement Writing Guide (PDF) - Write statements that get you noticed, not ignored (Value: £20)
The Standout Submission Checklist (PDF) — Double-check every application with total confidence (Value: £15)
Total value: £137 — yours now for just £11.
One accepted exhibition or publication opens doors to hundreds - sometimes thousands - in new sales, profile boosts, and opportunities. This costs you less than coffee and cake.
Open call deadlines don’t pause. Every day you wait is another opportunity slipping by. You can submit with real confidence starting today.
Yes, show me what curators actually want to see. I'm in for £11.